"Another big challenge, perhaps less obvious, is the act of playing very quietly. It actually requires much more physical energy to do less than more. Playing a virtuoso concerto that requires great technical agility is actually less physically demanding then playing softly, because we are accustomed to being in motion, not still. Downshifting both the speed and pressure of the bow goes against many years of training."
Really curious to hear the piece now - and trying to imagine how one feels after six hours of repetitive music. This guy seemed to like it. Might try myself and report back. If you're in New York and curious, you need not commit.
7 comments:
cool. i like how they encouraged people to wander around and listen in different parts of the hall. i suspect sitting on the stage would keep things pretty interesting.
"this guy seemed to like it" link is to today's (7/4) Times.
Link fixed. Apologies.
but why WRITE a piece that is so difficult to play?
why write a book that's difficult to read?
Today's Times said that a Flux founder had his violin stolen when he fell asleep in the CLark St. (Bklyn) subway station.
And difficult books aren't physically difficult.
7/7
same link problem.
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